According to John Nichols: “Hogarth probably chose this occupation, as it required some skill in drawing, to which his genius was particularly turned, and which he contrived assiduously to cultivate” (8). Hogarth’s skill as an artist is consistently supported by his peers. According to Watson, “Hogarth lampooned, not as a politician, but as a great moral reformer.” According to Bindman, “He died in his house in Leicester Fields, during the night of 25–6 October 1764, and was buried in Chiswick churchyard on 2 November.” He lost a significant amount of income due to plagiarism, but was able to win a copyright through Parliament to inhibit the creation of any further works of plagiarism (Watson). Watson tells us that his satires “won for him, not only fortune and an influential position in life, but also immortality for his name.” Hogarth’s work began to be in such high demand that “needy artists” started to engrave many of his popular works for money. Among his earlier successes were engravings for The South Sea Scheme (1721) and his illustrations for Samuel Butler’s Hudibras (published 1726) (Bindman). Joseph Watson, in The Adeline Journal, states that the public “remained blind to his efforts for a long time” because he was a “poor and unfriended youth.” After his apprenticeship, Hogarth went into business as a copper engraver, producing shop cards, funeral announcements, and book engravings, but it was his “elaborate satires on contemporary themes that brought him wider notice” (Bindman). Martin’s lane, where he studied character drawing and portraiture, but, as Mortimer laments, Hogarth’s paintings lagged behind his drawings in the public notice. Mortimer says that Hogarth’s interest in the arts started when he was an apprentice to a silversmith named Ellis Gamble, where he found an “impulse of genius, and felt it directed him to painting” (Mortimer).Īs a boy, Hogarth attended an academy in St. ![]() William was therefore too impoverished for university study (Bindman). His endeavors failed, leaving his family impoverished and he was confined to Fleet Street Prison. In the Oxford Dictionary of National Biography, David Bindman notes that Richard Hogarth was a publisher of Greek and Latin textbooks, and the proprietor of a Latin coffee house. ![]() According to Thomas Mortimer (1730-1810), Richard Hogarth was a country schoolmaster and, later worked as a corrector for a London press. William Hogarth was born on Novemto Richard and Anne Hogarth in Bartholomew Close in Smithfield, London. ![]() Early biographers of William Hogarth (1697-1764) give the impression of Hogarth as a self-made man, rising from humble beginnings to become the most important artist of his age.
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